The ABC should find a regular presenter for its Q+A show, instead of shuffling through three of its employees week after week, after one of the trio, Stan Grant, proved conclusively on 24 February that he is incompetent at the job.
Grant asked a member of the studio audience to leave after the man, a Russian-Australian named Sasha Gillies-Lekakis, asked a question about the Russia-Ukraine conflict, which contained an erroneous fact. It did not appear to be popular with the audience and the panel which was heavily tilted towards Ukraine.
Gillies-Lekakis would do well to consult a lawyer about his ejection; as an Australian taxpayer, he is also one of those who fund the ABC which receives a little more than a billion dollars from the Federal Government each year.
After viewing the film Death on the Nile which was released this month, one just has a single question: why was this film ever made? It is a terrible effort, one that takes the plot of a well-written book by a famous author, makes ludicrous changes to suit Hollywood’s woke agenda, and then compounds that with terrible acting, hoping that the so-called big names in the film will attract a crowd.
Kenneth Branagh released one film based on an Agatha Christie novel, Murder on the Orient Express, in 2017, and chose to play Hercule Poirot himself, giving a truly terrible performance. But it looks like he wasn’t satisfied with that; he’s back as Poirot again in Death on the Nile, making one long even for the bumbling Peter Ustinov to rise from the grave and reprise the performance he gave when the same book was adapted to the big screen in 1978.
Death on the Nile tells the tale of a couple who are on their honeymoon; the husband was formerly in love with his wife’s best friend. This woman is extremely wealthy and ends up as the first of three people murdered during a cruise down Egypt’s most famous river. The best friend tails the woman and her husband, annoying the hell out of them. Poirot happens to be on board and is given charge of the case; he solves it, with the story ending with one of his well-known denouements.
In recent years, there have been a number of remakes of old films, underlining the fact that people in the industry appear to be running out of good ideas.
That trend will be emphasised in February 2022 when a version of the Agatha Christie novel Death on the Nile is released, with Kenneth Branagh playing the role of the detective Hercule Poirot.
It is worth noting that this film was first made in 1978, with the late Peter Ustinov leading a cast full of big names: Mia Farrow, David Niven, George Kennedy, Olivia Hussey, Angela Lansbury and I.S. Johar.
Twenty years after the attacks on the World Trade Center in New York, the mastermind of the attack, Khalid Shaikh Mohammed, has still not been put on trial despite having been arrested in March 2003.
KSM, as he is known, was picked up by the Pakistani authorities in Rawalpindi. Just prior to his arrest, the other main actor in the planning of the attacks, Ramzi Binalshibh, was picked up, again in Pakistan, this time in Karachi.
A report says KSM, Ramzi and three others appeared in court on Tuesday, 7 September. KSM was reported to be confident, talking to his lawyers and defying the judge’s instruction to wear a mask.
As the US marks the 20th anniversary of the attacks on the World Trade Centre, a theory, that can only be classified as unadulterated BS, has been advanced: the event led to the invasion of Afghanistan and Iraq which in turn led to the emergence of Donald Trump.
Such a narrative sits nicely with Democrats: the election of the worst US president, a Republican, was caused by the actions of another Republican president, George W. Bush.
Part of this logic — if you can call it that — is that Trump’s opposition to the wars launched by Bush put paid to the chances of his brother, Jeb, gaining the Republican nomination.
National Bird is a disturbing documentary. It isn’t new, having been made in 2016, but it outlines in stark detail the issues that are part and parcel of the drone program which the US has used to kill hundreds, if not thousands, of people in Afghanistan, Pakistan, Iraq and a number of other countries.
The use of remote killing was even seen recently after a bomb went off at Kabul Airport following the US withdrawal from Afghanistan. There were boasts that two people responsible for the blast had been killed by a drone – only for the truth to emerge later.
And that was that the people killed were in no way connected to the blast. Using faulty intelligence and an over-quick finger, America had pulled the trigger again and killed innocents.
The craven manner in which Australia continues to bow before the US is borne of a deep-seated fear that Washington will again choose to interfere in Australian politics as it did in 1975.
That year, the late Gough Whitlam, who was prime minister, hinted that he might have second thoughts about renewing a lease for Pine Gap, a base in Australia’s northern parts which the Americans use for spying on other countries.
Whitlam was sacked by the governor-general John Kerr shortly thereafter. A full account of the affair is here; the CIA’s involvement has never been in doubt.
The departure of Hamish Macdonald from the position of host of the ABC’s Q+A program should, logically, have occasioned some comment from the country’s media, given that the program in question is one of the taxpayer funded channel’s flagship offerings.
That it has gone mostly unremarked is due to one reason: Macdonald is perceived as being from the left and publications who tilt towards that side of politics have remained silent as a show of solidarity.
To date, nothing has appeared to analyse why he quit what is a high-profile role in Australia. Some said he had left the program because he had experienced a lot of trolling on social media — he shut down his Twitter account though a lot of interaction for Q+A takes place through this platform — while others studiously avoided speculating on why Macdonald may have decided to return to Channel 10’s The Project.